Details
Shadows of the Prophet
Martial Arts and Sufi MysticismMuslims in Global Societies Series, Band 2
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234,33 € |
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| Verlag: | Springer |
| Format: | |
| Veröffentl.: | 05.06.2009 |
| ISBN/EAN: | 9781402093562 |
| Sprache: | englisch |
| Anzahl Seiten: | 312 |
Dieses eBook enthält ein Wasserzeichen.
Beschreibungen
Reflections.- Seni Silat Haqq Melayu: A Sufi Martial Art.- Silat: Art, Magic and Performance.- Echoes.- The Performance of Enchantment.- The Enchantment of Performance.- Doubles.- The Guru Silat.- Social and Aesthetic Drama.- Shadows.- Divination and Revelation.- Deathscapes of the Malay Martial Artist.
Dr. Douglas Farrer earned a doctorate in social anthropology from the National University of Singapore in the Department of Sociology in 2006. His thesis focused upon the Malay martial art, silat. Dr. Farrer has practiced martial arts since 1975 and is a qualified instructor in kung fu and silat. Dr. Farrer resided in Singapore and Malaysia from 1998 to 2007; he is currently Assistant Professor of Cultural Anthropology at the University of Guam.
<P>This is the first in-depth study of the Malay martial art, silat, and the first ethnographic account of the Haqqani Islamic Sufi Order. Drawing on 12 years of research and practice in Malaysia, Singapore, and England, social anthropologist and martial arts expert D.S. Farrer considers Malay silat through the transnational Sufi silat group called Seni Silat Haqq, an off-shoot of the Haqqani-Naqshbandi Sufi Order. </P>
<P>This account combines theories from the anthropology of art, embodiment, enchantment, and performance to show how war magic and warrior religion amalgamate in traditional Malay martial arts, where practitioners distance themselves from “becoming animal” or going into trance, preferring a practice of spontaneous bodily movement by summoning the power of Allah. Silat and Sufism are revealed through the social dramas of 40-day boot-camps where Malay and European practitioners endeavor to become shadows of the Prophet, only to have their faith tested through a ritual ordeal of boiling oil. The unseen realm and magical embodiment is further approached through an account of Malay deathscapes where moving through the patterns of silat summons the spirits of ancestral heroes. </P>
<P>Those interested in Malaysia, Sufism, transnational Islam, and the study of religion, conversion, magic, sorcery, theatre and martial arts will find this book indispensable.<BR><BR>"<EM>the eagerly awaited monograph on the practice of </EM>silat" Joel S. Kahn<BR><BR>"<EM>No other work on </EM>silat<EM> has achieved this level of inside understanding</EM>" Roxana Waterson</P>
<P>This account combines theories from the anthropology of art, embodiment, enchantment, and performance to show how war magic and warrior religion amalgamate in traditional Malay martial arts, where practitioners distance themselves from “becoming animal” or going into trance, preferring a practice of spontaneous bodily movement by summoning the power of Allah. Silat and Sufism are revealed through the social dramas of 40-day boot-camps where Malay and European practitioners endeavor to become shadows of the Prophet, only to have their faith tested through a ritual ordeal of boiling oil. The unseen realm and magical embodiment is further approached through an account of Malay deathscapes where moving through the patterns of silat summons the spirits of ancestral heroes. </P>
<P>Those interested in Malaysia, Sufism, transnational Islam, and the study of religion, conversion, magic, sorcery, theatre and martial arts will find this book indispensable.<BR><BR>"<EM>the eagerly awaited monograph on the practice of </EM>silat" Joel S. Kahn<BR><BR>"<EM>No other work on </EM>silat<EM> has achieved this level of inside understanding</EM>" Roxana Waterson</P>
Provides the first performance ethnography of Malay martial arts Offers the first ethnographic account of the Naqshbandi-Haqqani Sufi Order Facilitates a new undestanding of how magic, religion and sorcery are embodied in the performance and practice of Malay martial arts Demonstrates a deep and wide knowledge of Malay culture and society (including its arcane and secret domains) and an expert practitioner’s knowledge not simply of Malay silat but of Asian martial arts generally Is a major contribution to the study of Malay culture, to the comparative study of martial arts, and to the anthropology of dance, magic and ritual based upon ten years fieldwork in Southeast Asia
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