Details
Public Perception of International Crises
Identity, Ontological Security and Self-AffirmationFrontiers of the Political: Doing International Politics
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36,99 € |
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| Verlag: | Rowman & Littlefield International |
| Format: | EPUB |
| Veröffentl.: | 24.06.2019 |
| ISBN/EAN: | 9781786610041 |
| Sprache: | englisch |
| Anzahl Seiten: | 256 |
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Beschreibungen
<p><span>Winner of the <a href="https://mershoncenter.osu.edu/about/furniss-book-award/previous-furniss-winners"><span>2019 Edgar S. Furniss Book Award</span></a></span><span> from the Mershon Center for International Security</span></p>
<p><span>How do people make sense of distant but disturbing international events? Why are some representations more appealing than others? What do they mean for the perceiver’s own sense of self? Going beyond conventional analysis of political perception and imagining at the level of accuracy, this book reveals how self-conceptions are unconsciously, but centrally present in our judgments and representations of international crises.Combining international relations and psychosocial studies, Dmitry Chernobrov shows how the imagining of international politics is shaped by the need for positive and continuous societal self-concepts. The book captures evidence of self-affirming political imagining in how the general public in the West and in Russia understood the Arab uprisings (also known as the Arab Spring) and makes an argument both about and beyond this particular case. The book will appeal to those interested in international crises, political psychology, media and audiences, perception and political imagining, ontological security, identity and emotion, and collective memory.</span></p>
<p><span>How do people make sense of distant but disturbing international events? Why are some representations more appealing than others? What do they mean for the perceiver’s own sense of self? Going beyond conventional analysis of political perception and imagining at the level of accuracy, this book reveals how self-conceptions are unconsciously, but centrally present in our judgments and representations of international crises.Combining international relations and psychosocial studies, Dmitry Chernobrov shows how the imagining of international politics is shaped by the need for positive and continuous societal self-concepts. The book captures evidence of self-affirming political imagining in how the general public in the West and in Russia understood the Arab uprisings (also known as the Arab Spring) and makes an argument both about and beyond this particular case. The book will appeal to those interested in international crises, political psychology, media and audiences, perception and political imagining, ontological security, identity and emotion, and collective memory.</span></p>
<span><span>The book captures evidence of self-affirming political imagining in how the general public in the West and Russia understood the Arab Uprisings and makes an argument both about and beyond this particular case. </span></span>
<p><span>List of Figures</span></p>
<p><span>List of Acronyms</span></p>
<p><span>Preface</span></p>
<p><span>Introduction</span></p>
<p><span>PART I: THE DRAWING SELF</span></p>
<p><span>1. Perception and Collective Identity</span></p>
<p><span>2. Anxiety of the Unknown and (Mis)Recognition</span></p>
<p><span>3. A Positive Self</span></p>
<p><span>PART II: THE PORTRAITS OF OTHERS</span></p>
<p><span>4. Imagining Others as Different or Similar</span></p>
<p><span>5. Drawing from Memory</span></p>
<p><span>PART III: ENCOUTERING CRISES</span></p>
<p><span>6. Public Perception of the Arab Uprisings</span></p>
<p><span>7. Wider Narratives: From the Arab Uprisings to Ukraine</span></p>
<p><span>Epilogue: Perception as a Relation</span></p>
<p><span>References</span></p>
<p><span>Index</span></p>
<p><span>List of Acronyms</span></p>
<p><span>Preface</span></p>
<p><span>Introduction</span></p>
<p><span>PART I: THE DRAWING SELF</span></p>
<p><span>1. Perception and Collective Identity</span></p>
<p><span>2. Anxiety of the Unknown and (Mis)Recognition</span></p>
<p><span>3. A Positive Self</span></p>
<p><span>PART II: THE PORTRAITS OF OTHERS</span></p>
<p><span>4. Imagining Others as Different or Similar</span></p>
<p><span>5. Drawing from Memory</span></p>
<p><span>PART III: ENCOUTERING CRISES</span></p>
<p><span>6. Public Perception of the Arab Uprisings</span></p>
<p><span>7. Wider Narratives: From the Arab Uprisings to Ukraine</span></p>
<p><span>Epilogue: Perception as a Relation</span></p>
<p><span>References</span></p>
<p><span>Index</span></p>
<span>Dmitry Chernobrov </span>
<span>is Lecturer in Media and International Politics at the University of Sheffield. He earned his PhD in International Relations from the University of St Andrews and an MPhil from the University of Cambridge. He has published on issues of identity and perception, ontological security, social exclusion, diasporas and traumatic memories, media representation of politics, and humanitarian crisis communication.</span>
<span>is Lecturer in Media and International Politics at the University of Sheffield. He earned his PhD in International Relations from the University of St Andrews and an MPhil from the University of Cambridge. He has published on issues of identity and perception, ontological security, social exclusion, diasporas and traumatic memories, media representation of politics, and humanitarian crisis communication.</span>
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